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GALLERY 1 - 2D Art
Banksy (?1974 - ) The Maid, 2006 Stenciled Graffiti, London |
Banksy is an anonymous British graffiti artist and painter who was probably born in 1974 and raised in Bristol, England. He was expelled from school and spent some time in prison, but little is known about his life. He started graffiti between the age of 14 and 20 as a member of a graffiti crew in Bristol. At the beginning he used only spray-cans and applied stencils as elements of his work. Later on he realized that he is better in working with only stencils and also that stenciling takes less time to complete a piece of work. Today the technique of stenciling and the name of Banksy are closely linked in graffiti circles. The black and white, sometime colored stencils appear in the very centre of public life all around the world. Illegality is one of the reasons of the artist’s mysterious identity. His satiric, surreal, and undoubtedly provocative art often addresses anti-war, anti-capitalist topics. He has some recurring motives such as monkeys, rats, policemen, children or soldiers. The stencils are often supplied with short slogans, messages. Like most artist, Banksy has also subverted works, placing Monet's, Millet’s or Degas’ works into a new, 21st century context. The chosen work by Banksy, called The Maid, slightly contains the artist’s philosophy about modern society in a way. The stencil was made on Jay Joplin’s White Cube Gallery’s wall in 2006 May in Hoxton Square, London. It existed for six weeks, later it was removed since it decreased the number of visitors to the Gallery’s exhibitions, and again, it was totally illegal. The stencil illustrates a maid sweeping dirt under the wall and this movement can be interpreted as a ‘problem-solving-way’ of the modern society. Banksy's goal is to raise public attention to problems and what is unique about him is his courage and his special way of saying things out loud in the centre of attention, in the centre of public space. Lengyel Anna
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Various Artists, Travis Barker,Body Tattoos |
Tattooing is a controversial topic even today. Although the situation has gotten better, conservative people still tend to have bad opinions about tattooed people, and I chose to present on this topic to popularize tattoos in class, and I was also curious about your opinions. Scarring the skin for the sake of decoration is more than 12,000 years old. People got tattooed in ancient Japan, Egypt, and even among European tribes, it was very prevalent. Tattoos used to symbolize marks of status, spiritual and religious beliefs, and they were used for the purpose of punishment too. Tattoing has undergone a huge development: the first tattoos were made by carving the skin with animal bones and rubbing the wound with ash; nowadays professional tattoos are made with serious tattoo machines, completely hygenically. I chose a picture of Travis Barker for the gallery because he represents what tattoos truly mean - devotion. Most of his tattoos symbolize his love for music, some tattoos he got to express his love for his family, he has tattoos as a tribute to her mom, and his right arm is full of symbols of luck. Tattoos are great to express ourselves, and unlike paintings that can be hung up on walls and thrown out anytime, tattoos are permanent; one has to remember that they will stay there for life and will tell things about its owner. I would like to finish up with a quote from Barker that expresses this perfectly: "I tattooed my body so I couldn't fall back on anything. I purposely did that so I couldn't get a normal job and live a normal life. I did it so I had to play music." Joo Erik |
Michael Belk The Second Mile, The joyful gift of forgiving From the Parable Collection, and the Vision of Hope theme Photograph, Matera, Italy, 2009
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As a worldly fashion photographer, Michael Belk has been one of the best. His work has appeared in Vogue, Elle, GQ and Vanity Fair. And his clients have been a constellation unto themselves: Nautica,J.Crew, Polo and Christian Dior - to name but a few. Combining his gift for photography with a natural sales sense, he's created advertising campaigns for many well-known names in the clothing industry. For 30-plus years, he has been the man behind the camera, the creative director and the account executive - a one-stop shop for fashion advertising. Not bad for a self-taught photographer who never picked-up a camera until he was 20. Born in Orlando and growing up in Ocala, Michael had a different life envisioned for himself, but around his 20th birthday, he and his brother hired a photographer friend to photograph them as a gift for their mother. Michael had definite ideas and directed the "on location" photo shoot. "I was fascinated with the whole process. I bought a 35mm camera and began shooting pictures of just about everything." From that moment on, his career began to develop, and he soon became very successful. By the year 1989, his company was of 2 million $ worth, and by a good decision, this amount jumped 400%. But success wasn't for free. He reached a point when he only felt at home on an airplane, or in a hotel. At the age of 42, his life had great excitement, huge success, but very little substance. Then on one day, he had an encounter with God. Michael says: " I distinctly remember the absolute presence of God in my room. He asked me if I wanted to keep doing things my way or maybe try them His way. I knew that I couldn't get out of this on my own, and realized that it was time to try His way." From that moment, Michael says, his life began to change. In 1993, he decided to take a break. He closed his business, and started working on an idea for a book. The book, "Beyond the Sport, The Victory Within," told inspirational stories of America's Winter Olympians, featuring greats such as Peggy Fleming, Scott Hamilton and Eric Heiden. Michael not only created the photographs, he wrote it as well. Twenty-five thousand copies were sold. These days, Michael has spent the past one and a half years creating Journeys With the Messiah. "Although Journeys is in its infancy, I plan for it to occupy much of the coming years. There are so many directions it can go." He looks back on his life as an incredible journey - one full of lessons learned. Journeys with the Messiah: The 21st Century relevance of a 2000-year-old message. "Through these powerful images and messages, my desire is for you to explore Jesus' messages spoken over 2000 years ago to see how relevant they are in your life today. The Parable Collection images tell a story. The Messiah Collection includes ten beautiful images of the Christ figure plus an amazing Last Supper." - Michael Belk This project aims to present the 21st century Jesus, displaying the well-known 'What Would Jesus Do' bracelet's meaning. The chosen place of the on-ocation photo shoots is the city of Matera in Italy, and the main character embodying Jesus is Sergio, an Italian man. All of the pictures are intense, shaking the judgements of people, awakening all to the truth. Michael Belk tries to uncover and bring Jesus' passion back. The Second Mile A powerful, one of the well-known photographs of Michael Belk, made in the Italian city of Matera, in 2009. This picture grasps the truth about real forgiveness, the one that no people could express by their own strength. This is why it makes a division among the people looking at it, one group saying that there's no forgiveness in such cases, another group saying that there is, but not from our own strength. Michael Belk also shares his own thoughts about this photo: The
joyful gift of forgiving. Where does a mother garner the strength to stand
in a courtroom and forgive the man who murdered her daughter? How do Jews
ever forgive the Nazis for the Holocaust? Jesus' teachings on this subject
were revolutionary: "Love your enemies as yourself. Pray for those who
persecute you. Forgive people seventy times seven." Jesus reminds us that,
just as God forgives us, we are expected to do the same for others. Still,
His teachings on forgiveness are more for our benefit because He wants us to
let go of the bitterness and anger we hold on to. He knows that our feelings
of anger, resentment and hatred will not hurt the other person to the degree
they can destroy us, even to the point of making us sick. Just saying, "I
forgive you," releases you from emotional, physical and spiritual bondage.
It sets us free to move on with life and His glorious plan. Forgive and let
it go.
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Salvador Dalí, 1904 - 1989 Soft Construction with Boiled Beans (Premonition of Civil War) 1936 Oil on canvas, 39 5/16 x 39 3/8 inches (99.9 x 100 cm) Philadelphia Museom of Art, The Louise and Walter Arensberg Collection, 1950 |
Salvador Dali (1904 - 1989) was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. Dali began to study art at the Royal Academy of Art in Madrid. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. He died on January 23, 1989 from heart failure. With its flair for detail as gruesome as it is meticulous, Salvador Dalí's Surrealist painting style might well have been invented for the depiction of the unique horrors of the Spanish Civil War. This painting, however, is one of only a handful in which Dalí turned his attention to the tragedy that beset his homeland on July 17, 1936, when General Francisco Franco led a military coup d'état against the democratically elected Popular Front government. The artist's savage vision of his country as a decomposing figure tearing itself apart preceded the outbreak of the Spanish Civil War and thus prophetically foretold the atrocities committed during this bloody conflict. Kovács Márton http://www.artelino.com/articles/salvador_dali.asp |
Anne Geddes (1956 - ) Julia Snail Photograph, 1996
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Anne Geddes (b. September 13, 1956) is an an Australian-born self-taught photographer. She is known for her stylized depictions of babies and motherhood. Typical images show babies or young children dressed as fairies and fairytale creatures, flowers, or small animals. Geddes' books have been published in 83 countries. According to Amazon.com she has sold more than 18 million books and 13 million calendars. Her books have been translated into 23 different languages. These books are: Down In The Garden (1996), Until Now (1998), Pure (2002), Miracle (2004), A Labor Of Love (2007) and Beginnings (2010). This picture, called Julia Snail, was published first in the Down In The Garden collection in 1996. It has appeared in calendars, gift-products, books and postcards and is one of the artist’s most famous creations. This picture was taken with film photography but since the appearance of digital technology she has been using digital cameras and she has been working with a whole group of Photoshop experts. However, she rather "shoots from the heart” and warns other people to use Photoshop carefully. Csóka Ágnes
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Li Wei: 25 levels of freedom, Beijing, 2004 06 19 150x150cm |
Li Wei is a contemporary artist (born in 1970) from China. He began his work with the "Mirror" series in the late '90s. His work is a mixture of performance art and photography that creates illusions of a sometimes dangerous reality. He sees his art as both a mission to set the scene for the perfect photograph an performance. His pictures often depict himself in gravity-defying postitions. Li Wei claims that his photographs are not computer montages, and sometimes he is in real danger while making them. He says he works with props such as mirros, metal wires, scaffolding and also uses acrobatics for his pictures. Wei's works have been published in countless magazines, many times on covers. There is not much information about the artist or about his intentions with his art, but there are some quotes from Wei, which can be interesting: "My artistic language is universal and deals with themes about contemporary politics and society using symbols understood by everyone in every part of the world." "I am fascinated by the unstable and dangerous sides of art and I hope my
works reflect these aspects." "I incorporated gravity as one of my main elements. My work and artistic experience are characterised by a unique specificity and particularity." For more works by Li Wei, go to his official website: www.liweiart.com Darvas Marton
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Paul Jackson Pollock Number 9A (Summertime) Oil, enamel and house paint on canva 83 x 580 cm Tate Modern, London |
Paul Jackson Pollock (Jan 28, 1912 – Aug 11, 1956) was an American abstract expressionist artist. Having been kicked out of his first high school, he started to study art first in the Los Angeles Manual Arts High School, then in the Arts Students League of New York. After finishing his studies, he married fellow artist Lee Krasner in 1945, and in November they moved to the Pollock-Krasner House and Studio as it is known now, located in Rhode Island. Pollock developed his ’drip’ technique in 1947 on the floor of their barn, where he laid a canvas out and poured paint from all directions. He used household paints, hardened brushes, sticks, syringes, and his hands as applicators. Pollock denied the assumption that his paintings were accidents; he had an idea when he started to work. He decided to number his paintings in order to evade the influence of disturbing titles in the interpretation of the pictures. Number 9A was painted in 1948 with the same method; it clearly expresses motion and energy. Commentators suggest that human figures constitute the main layer of the artwork. Jackson Pollock died in an alcohol-related car accident in Springs, New York. Recently, large-scale exhibitions could be seen in the Museum of Modern Arts, New York; and Tate, London. Weissz Georgina |
Joe Rosenthal (1911-2006)
Raising the Flag on Iwo Jima |
Joe Rosenthal was born in Washington D.C., in 1911. His interest in photography started as a hobby, but later he became a reporter photographer at San Fransisco News. After being rejected by the US Army due to his poor eyesight, he joined the Associated Press and followed the US Marine Corps throughout the Pacific Theater of Operations during Wolrd War II. During the Battle of Iwo Jima, he took his most famous picture: Raising the Flag on Iwo Jima. After the war, he worked as a photographer until 1981. In 1996, he was named an honorary Marine. He died of natural causes on August 20, 2006, at the age of 94, near San Fransisco. Raising the Flag on Iwo Jima is a historic photograph taken by Joe Rosenthal on February 23, 1945. On the picture, you can see 5 US Marines and a NAVY corpsman raising the flag of the US on top of Mount Suribachi during the Battle of Iwo Jima. On the fourth day of the battle, some platoons were sent to the top of the mountain, one of them was given a flag. They attached it to a pipe, making it the first foreign flag to fly on Japanese soil. An officer wanted the flag as a souvenir, so he sent another squad with a second, larger flag to replace it. Among them was Joe Rosenthal with his Speed Graphic camera. On the summit, Rosenthal discovered a group of Marines attaching a larger flag to a length of pipe. Nearby, another group of Marines stood ready to lower the smaller flag at the same instant the larger was raised. Rosenthal briefly contemplated attempting to photograph both flags, but decided against it, so he focused his attention on the group of Marines preparing to raise the second flag. Then, out of the corner of his eye, he saw the group of Marines start to raise the second flag. He swung his camera around toward the action and pushed the shutter. The picture quickly spread all over the US, becoming the most reproduced photo of all time. Rosenthal won the 1945 Pulitze Prize for Photography, the only photograph to win the prize in the same year it was taken. Also, the Marine Corps War Memorial in Arlington National Cemetery was designed after the flag raising. What is more, they created a stamp of the raising 5 months after the event. For many years, this was the biggest selling stamp in the history of the US Post Office. Over 137 millon copies were sold. The flags are kept in the National Museum of the Marine Corps, while the photo itself is in private hands. Raising the Flag on Iwo Jima instantly became the symbol of victory, uniformity, strength and fortitude and gave hope to the people of America who were tired and demoralized by the war. Kovács Péter |
GALLERY 2 - 3D Art
Dragon Dance, China |
The Dragon Dance is a highlight of Chinese New Year celebrations. As part of the lunisolar Chinese calendar, the date is partially determined based on lunar phase. The festival traditionally begins on the first day of the first month (Chinese: ??; pinyin: zh?ng yuč) in the Chinese calendar and ends with Lantern Festival which is on the 15th day. The origin of Chinese New Year is itself centuries old and gains significance because of several myths and traditions. Ancient Chinese New Year is a reflection on how the people behaved and what they believed in the most. Within China, regional customs and traditions concerning the celebration of the Chinese New Year vary widely. People will pour out their money to buy presents, decoration, material, food, and clothing. It is also the tradition that every family thoroughly cleans the house to sweep away any ill-fortune in hopes to make way for good incoming luck. Windows and doors will be decorated with red colored cutout couplets with popular themes of "happiness", "wealth", and "longevity". On the Eve of Chinese New Year, supper is a feast with families. Food will include such items as pigs, ducks, chicken and sweet delicacies. The family will end the night with firecrackers. Early the next morning, children will greet their parents by wishing them a healthy and happy new year, and receive money in red paper envelopes. The Chinese New Year tradition is a great way to reconcile; forgetting all grudges, and sincerely wishes peace and happiness for everyone. Dragons are of course legendary animals, but they are important to Chinese people who think of dragons as helpful, friendly creatures. They are linked to good luck, long life and wisdom. They are nothing like the fierce, fire-breathing Western dragons that carry off princesses and eat people. They have special powers so they can fly in the air, swim in the sea and walk on land. From its origins as totems or the stylized depiction of natural creatures, the Chinese dragon evolved to become a mythical animal. The Han Dynasty scholar Wang Fu recorded Chinese myths that long dragons had nine anatomical resemblances. The people paint the dragon's shape with a horse's head and a snake's tail. Further, there are expressions as 'three joints' and 'nine resemblances' (of the dragon), to wit: from head to shoulder, from shoulder to breast, from breast to tail. These are the joints; as to the nine resemblances, they are the following: his horns resemble those of a stag, his head that of a horse, his eyes those of a demon, his neck that of a snake, his belly that of a clam , his scales those of a carp, his claws those of an eagle, his soles those of a tiger, his ears those of a cow. Upon his head he has a thing like a broad eminence (a big lump). If a dragon has no lump, he cannot ascend to the sky. Chinese dragons are strongly associated with water in popular belief. They are believed to be the rulers of moving bodies of water, such as waterfalls, rivers, or seas. They can show themselves as water spouts (tornado or twister over water). Dragon dances are performed at New Year to scare away evil spirits. During the dance the performers hold poles and raise and lower the Dragon. Sometimes one man has a 'Pearl of Wisdom' on a pole and he entices the Dragon to follow him to the beat of a drum, as if searching for wisdom and knowledge. The history of the Dragon Dance can be dated back to the Han Dynasty (180-230 AD) in ancient China and, like the lion dance, plays an important part in Chinese culture. Dragons used in Dragon dances vary in length from a few meters to up to 100m long. Longer Dragons are thought to be luckier than shorter ones. The dragon itself is a long serpent shaped body on poles, assembled by joining the series of hoops on each section and attaching the ornamental head and tail pieces at the ends. Traditionally, dragons were constructed of wood, with bamboo hoops on the inside and covered with a rich fabric, however in the modern era lighter materials such as aluminum and plastics have replaced the wood and heavy material. In order to make a Dragon Dance successful and entertaining, the dancers must properly coordinate their movements with each other, thus correct timing is crucial to avoid tangling up or falling over. A mistake from any one person can disrupt other dancers as this creates a "ripple effect", which would spoil the performance. Equally important is the precise timing between the Pearl, Dragon's head and the tail. Pósa Csilla |
Antoni Gaudí (1852-1926) Casa Batlló (1904-'06) - "Casa del Ossos" iron, wood, glass, ceramic, stone |
Antoni Gaudí (1852-1926) was a Catalan architect, who clearly left his mark in the whole Catalan territory, but mostly on its capital, Barcelona. He was a genius at proportions, his ancestors were coppersmiths, and he was exposed to nature during his childhood; all three influenced his art, the most well-known of them are the Güell Park, La Sagrada Família, Casa Milá, and Casa Batlló. Casa Batlló was commissioned by textile manufacturer Josep Battló I Casanovas, who gave Gaudí a free-hand in reconstructing the house. He did so, and in two years (1904-1906) created one of the landmark buildings of Barcelona from an average 19th century building with the use of all kinds of materials (iron, wood, glass, ceramic, and stone) and shapes. The house is called Casa dels Ossos (House of Bones) amongst the locals; the name becomes obvious if we take a look at the building. The facade is an uneven surface, covered with glazed ceramic and fragments of glass in different colours from golden orange to greenish blues. The house is made even more remarkable by the stained-glass windows and the dragon slain by Catalonia’s patron, St. George; his sword is represented as the turret and the cross. The whole building, both inside and out, feels as if it is always undulating and swirling like the ocean. Casa Battló is part of the UNESCO World Heritage, and based on popular vote is one of Barcelona’s Seven Wonders. The building can be visited every day from 9 am to 8 pm for 17.80€. Weissz Georgina http://en.wikipedia.org/wiki/Casa_Batll%C3%B3
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Anish Kapoor (1954 -)
Cloud Gate, 2004 – 2006 Stainless steel, 10m x 13m x 20m |
Anish Kapoor was born in 1954, in Bombay, India. In Israel, he studied electrical engineering. During the 70s, he hitch hiked across Europe and moved to Britain where he began to study art at Hornsey College of Art and Chelsea School of Art and Design. Soon, he started to exhibit his work as a member of the New British Sculpture scene and gained recognition after representing Britain at the 1990 Venice Biennale. Cloud Gate is a sculpture located at AT&T Plaza in Millennium Park, Chicago, Illinois. In 1999, Millennium Park officials reviewed 30 artist portfolios and asked two of them for proposals. Eventually, Kapoor won with a seamless, polished stainless steel surface inspired by liquid mercury measuring 10m by 20m by 13m, weighing more than 100 tons and made up from 168 plates. It reflects the Chicago skyline and its special shape would twist the reflected image. Underside the monument is the Omphalos, whose mirrored surface creates multiple reflections of everything beneath it. Although Kapoor usually doesn’t draw with computers, computer modelling was necessary for this project. Construction started in 2004 and Cloud Gate was finally unveiled in May, 2006.
Kapoor’s Intention: Kapoor always tries to remove ‘traces of the hands’: signs of fabrications, artist signature, etc. Thus, his works have independent realities. Cloud Gate feels perfect and the viewer keeps wondering where it came from. It creates a bridge between the viewer and the sky. Kovács Péter |
Marcell Komor and Dezső Jakab Cultural Palace, Marosvásárhely, 1911 - 1913. |
The Cultural Palace is a remarkable bulding in Marosvásárhely (Targu Mures), which was built between 1911 and 1913. It was designed by Marcell Komor and Dezső Jakab in Hungarian art nouveau style at the request of the city's mayor at that time, György Bernády. Both architects were followers of Ödön Lechner and before winning the competition for building the palace, they mostly worked in Budapest and Szabadka. The national art nouveau, their style of architecture is characterized by nature-inspired, most typically floral motifs and extravagant appearance. On the exterior of the building famous Hungarian people of the 19th century and famous Hungarian legends appear both on the window glasses and on the embossments on the main facade. The roof is decorated with white, red and blue tiles. The interior of the palace is most known for the Hall of Mirrors, which is situated on the first floor. The building also has a large concert hall, which has entrances from all the floors. The walls and ceilings are decorated almost everywhere in the building. This fascinatingly detailed paintwork was done by the members of the Gödöllő Art School in 1913. The Cultural Palace gave home to many things throughout the hundred years of its existence (City Cinema, State Theatre, etc.). Today it functions as the county library and there are also some exhibitions held in the gallery. The palace can be visited for a relatively small amount of money, which also includes the entrance fee to the current exhibition. It is definitely worth a visit if you happen to be around. In the meantime, here you can take virtual walk in the building in quite high definition: http://bit.ly/C8Emv Darvas Marton |
Szines Város, or Colourful City is a NGO project with the aim of making Budapest more lively, colourful and liveable, while having a strong philosophical background and will to change under the surface as well. Founded by local people in the city, the group has been active since the end of 2009. Mixing street art with the legacy of Vasarely's "szines város" idea, and following those traditions, they renovated and decorated several sights and junctions of Budapest. The project is not financed by the government, but it has all the support that it needs. Partly, they use their own money, and they get sponsorship from several other foundations. It is somehow similar to street art, especially the process of materializing the ideas, but it is more organized, perfectly legal, and it is on a larger scale. At first, they choose a certain location to use as their canvas, and they paint the walls there in different, mixed styles, they put up sculptures, and they use the facilities of the city to create their own piece of art. The main aim is that they want their work to be part of the people's life, they want them to use it. They also make interactive creations. A strong criticism of society is also part of their work, by using environmentally friendly materials and techniques, and by trying to affect the citizen's way of life and connection to their city. Overall, they are one of the pioneers of the modern, conscious lifestyle in our times. Eliás Dávid |
GALLERY 3 - Moving Image
Jeanne: Michel Gondry: Commercial for Air France, 0.52: http://www.youtube.com/watch?v=VmNztYfInOA&feature=related
Dorka: Tobuscus: Harry Potter and the Deathly Hallows Trailer Parody, 02.33: http://www.youtube.com/watch?v=MahTKZDHXaA
K. Marton: Bob Dahlin: Monster in the Closet Trailer, 02.56: http://www.youtube.com/watch?v=VZtGOef5aCg
Csilla:
Dragon Dance, 01.07:
http://www.youtube.com/watch?v=apimBqgTeBA&feature=related
Dragon Dance, 4.05:
http://www.youtube.com/watch?v=uh1vQNFZxwE
14 Blades
Trailer, 03.08:
http://www.youtube.com/watch?v=7ts3tHR5TMM
Krisztian: MZeroX Samurai Champloo 05.01: http://www.youtube.com/watch?v=mQlVTjYJYkw
Agi: Alberto Mielgo: Beatles Rock Band, 02.36: http://vimeo.com/10864426
Georgina: Pixar: Presto, 05.15: http://vimeo.com/7461633
David: Macaframa: Massan, 01.12: http://vimeo.com/5862934
Kata: Commercial for Berlitz Language Schools, 0.45: http://www.youtube.com/watch?v=GT86iWiH2mI
D. Marton:
Title sequence for Dexter, 01.56:
http://www.youtube.com/watch?v=BuqPQL-1hgg&feature=&p=DC860610F9BEDC8E&index=0&playnext=1
http://www.artofthetitle2.com/media/tv/2006/dexter/dexter_480p.mov )
Patrick Jean:
Pixels, 02.35:
http://vimeo.com/13362364
Gergely: The
Super Inframan Trailer, 01.05:
http://www.youtube.com/watch?v=qz4rl0TwoKE
Phillips Carousel Commercial. 2.19:
http://www.youtube.com/watch?v=lQ3D4CqHbJM